Skip to main content

Posts

Showing posts from March, 2009

simply goes to show that all workplaces endure their share of soapiness

finally, "grey's anatomy" has turned a corner. it's as if the whole "i see dead people" kick the show was on has been put out to the curb. my biggest problems with the ferry boat episodes and then the dead denny walking storylines have been with the fact that this show deals in realities of a type that don't translate well into the supernatural. grey's takes place in a world where life happens, so when it would leap to the other side it didn't feel true to the story and seemed to be a way to cheat and seek out some cheap emotional depth to the story. the last two episodes have been fantastic. the fallout of izzie's illness coming out has given us some bravura storylines for all of the cast members. finally this is a story that means something. it affects everyone, even if they aren't close to izzie. alex karev has always been my favorite grey's character. seeing him deal with the knowledge that izzie is sick, that she might be dying

simply namaste and let sawyer run the show

i'm still totally squeeing over sawyer. i just love the guy. he's too cute for words and he's crazy hot, and i have an insane crush on him. ok, so now that i've gotten that off my chest, here are my thoughts on the latest episode of "lost." first of all, i wonder why sun and locke and ben remained in the present, when everyone else went back 30 years? oh my god. i've just realized that sawyer, jack, kate, and hurley, were all chosen to appear before the others when michael was trying to free walt. could their presence on the island 30 years before have been a factor for being chosen as special? is this why ben wouldn't let juliet leave? just considering the fact that the castaways have probably played some kind of role in their own past blows my mind. but clearly the fabric of their lives is intricately tied to the island. picking apart the threads in order to weave together a clear picture is likely to be the basis for the remainder of the series. and

simply unable to stop obsessing about all the things wrong with gh

i love kirsten storms and her portrayal of maxie jones as much as anyone else, but i definitely do not love this: or this. (also, it's a lot frightening to see how little her arms are, especially if you think about how the camera adds 10 pounds.) i know that there are a lot of maxie-spinelli fans out there, but i'm just not entirely sold on this pairing. maxie has definitely made spinelli a more bearable character, since brad anderson tones down some of the spastic tics and expresses himself (albeit in a slightly more shakespearan manner) with a modicum of normality when spinelli addresses maxie. (note that it spins out of control when spinelli and winifred talk to each other. gh needs to seriously consider adding a health warning when those two are in scenes together: may cause fits of rage or hysteria when consumed for intervals longer than 20 seconds . i could post a youtube video of some of their moments, but i will spare us all. instead i will focus on my original point,

simply speculation

hmmm, so apparently helena is swinging back by port charles to wreak vengeance on her darling grandson, nicholas. i wonder if resident "bad" girl rebecca, figures into her plan. here's hoping that emily quartermaine is being brought back to life. though, i am enjoying rebecca and lucky together. and i enjoyed today's confrontation between lucky and nicholas. it's at least something not related to the mob. i'm kind of hoping that emily comes back to life and she and lucky have a thing and we delve into how elizabeth and nicholas have to deal with it. i think i like this storyline so much because when i started watching "general hospital" lucky, liz, nicholas, and emily were the 4 musketeers. and i really enjoyed watching them all interact. here's a little reminder: youtube is a wonderful thing.

simply getting together with the five families

i have a confession to make. i watched the godfather trilogy for the first time this weekend. (ok, well, i'd seen pieces of it before on television, but it was re-edited for tv and aired the saga chronologically, which funnily enough was pretty confusing and completely off-topic.) i really enjoyed the movies, and i now understand why so many people rate at least the godfather or the godfather: part ii in their top ten movies of all time lists, and perhaps because i had been warned that the third one was terrible, i even enjoyed that one. watching the story of a family that is built on and then ultimately destroyed by the mob, could only bring into relief how pathetic "general hospital"'s attempts to portray the mob have always been. i caught up with gh yesterday and could only chuckle at claudia and sonny's plan to have a cocktail party with the five families (why are there always five families in mob stories on television and movies? i don't understand. i

seriously romantic: all head and no heart

sometimes romance novels are surprisingly well-written. thought-provoking. intelligent. i've read a ton of romance novels in my time, and find that the writers i truly enjoy are really good writers first and foremost. stephanie laurens is a great writer. her stories are often very intelligent, and at times the writing is truly lyrical. she has developed the long-running cynster series, of which there are about 14 to 15 semi-connected novels. where the men are dominant, protective, fiercely intelligent, hot, and have not only the ability to recognize love, but the ability to recognize that they are in love with the heroine within the first 100 pages of the novel. and the women are independent, headstrong, beautiful, fiercely intelligent, extremely competent, and who struggle to accept love can be freeing with the right man. every romance writer has a template of sorts. especially the prolific ones. and the only problem with that, is that the more you read their novels, no matter ho

simply an absurd way to behave

so the other day on "general hospital" robin brings emma to kelly's and runs into elizabeth. elizabeth says hello, asks mike for her grandmother's order, and just starts taking emma out of her stroller... who does that? i'm not a mom, but i'm telling you right now, it doesn't matter if it's my closest friend, they're not picking up my baby without asking me first. meanwhile, this whole ppd storyline needs to be resolved. robin is never fun to be around when she's strident, unreasonable, and defensive. it's not surprising that patrick is walking on eggshells around her, since she is so unpleasant when she gets that way. but at the same time this storyline needs to make some progress. also, what is sonny thinking? what kind of person, especially one who has witnessed some tension, asks a wife to keep a secret from her husband? i mean, robin and patrick have enough to deal with in their own lives, why do we need to involve sonny and carly in t

simply why i am madly in love with sawyer

ok. it's no secret that i love sawyer. this scene made me love him all the more: how dreamy is he?? i actually really like him and juliet together. the episode did a great job of filling us in on what happened to the left-behinders and moved us to a point where all the stories can come together. i wonder how the stories will be told, though i'm not entirely positive that everyone is in the same time, so there will probably still be some flashing between timelines. we shall see. anyway, back to my original point... what i really liked about the episode is how it developed sawyer and juliet's relationship. showing her having his back, even if she thought whatever it was he was planning was stupid. that's more than kate ever did for him. here's the thing, i've always been a fan of kate and sawyer, but i've come to realize that it has less to do with liking kate and more with just how much i love sawyer. this episode really showed us how much sawyer has grown an

simply inexplicable

i bet you all are thinking that this is another lost blog post, but it's not. it's actually about the hot mess that is "general hospital." i'm embarrassed to admit this, but i'm actually traveling for work and have been catching up with the episodes online, via abc's full episode player. in any case, sometimes i wonder why i bother catching up with episodes i've missed instead of just skipping them over. i suspect it's some sort of masochistic tendency on my part. here's the thing, i think one of the biggest problems gh faces is that the writers have continued to write themselves into corners that they can't wriggle out of and they relentlessly cling to storylines that do not work while refusing to take the tired stories in newer, possibly interesting directions. i've been doing a lot of lists lately, but it's the best way to highlight all the things wrong with this show. 1. claudia zacchara in all honesty, i like claudia. i think

simply all about locke

oops, i know that the latest episode of "lost" has already aired, but i wanted to write about my thoughts on each episode, so here is what i think of "the life and death of jeremy bentham": 1. i enjoyed how this episode explained locke's journey to speak with the oceanic six. and the less than successful results he had with each of them. except, unltimately he did succeed, and clearly his journey wasn't in vain. 2. charles widmore is about 71! man is looking good. i am more confused than ever about the power struggle (maybe even the war) going on between ben and widmore, and i'm not sure that having that power struggle be the series raison d'etre works. we know our main cast is important to the island for some reason , but it seems to me that the reason should be more mystical than "they are key players to the war between widmore and ben in trying to gain control of the island." i often think that maybe we shouldn't get an explanation